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                                                                                                                                                  Grade Eight Theory

                                                                                                                                                  Co-requisite for Grade Eight Practical Examinations      

                                                                                                                                                  Examination Length: 2.5 Hours



                                                                                                                                                  Grade Eight Theory topics include:


                                                                                                                                                  • All major and minor keys ( scales beginning on any degree);
                                                                                                                                                  • Writing of blues, pentatonic, whole tone, octatonic, and chromatic scales;
                                                                                                                                                  • Simple, compound and irregular metre;
                                                                                                                                                  • Treble, bass, alto and tenor clef;
                                                                                                                                                  • Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian and Locrian modes;
                                                                                                                                                  • All intervals and inversions, including compound intervals;
                                                                                                                                                  • Major, minor, augmented and diminished triads, dominant seventh and diminished seventh chords with inversions;
                                                                                                                                                  • Identification of quartal chords, polychords, clusters and bi-tonal chords;
                                                                                                                                                  • Writing of simple chorale passages using figured bass analysis;
                                                                                                                                                  • Perfect, plagal, imperfect and deceptive/interrupted cadences in chorale or keyboard style;
                                                                                                                                                  • Transposition using major and minors keys and for instrumental writing;
                                                                                                                                                    Realization of the Acciaccatura;


                                                                                                                                                    • Trill;
                                                                                                                                                    • Appoggiatura;
                                                                                                                                                    • Mordent;
                                                                                                                                                    • Open scores (vocal and string quartet);
                                                                                                                                                    • Analysis;
                                                                                                                                                    • Melody writing with cadences;
                                                                                                                                                    • Passing notes and auxiliary notes; and
                                                                                                                                                    • Italian, French and German terms and musical signs
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